Play The Viol

Play the Viol PDF
Author: Alison Crum
Publisher: Clarendon Press
ISBN: 9780198163114
Size: 76.69 MB
Format: PDF
Category : Music
Languages : en
Pages : 185
View: 6968

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Play the Viol meets the need for a comprehensive guide to playing technique which provides for the specific requirements of the adult beginner. The book covers the treble, tenor, and bass viol, and assumes no knowledge beyond an ability to read music.

Style And Performance For Bowed String Instruments In French Baroque Music

Style and Performance for Bowed String Instruments in French Baroque Music PDF
Author: Professor Mary Cyr
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409495337
Size: 25.53 MB
Format: PDF, ePub, Docs
Category : Music
Languages : en
Pages : 280
View: 1866

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Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the contrebasse. Part III addresses issues and conventions of interpretation such as articulation, tempo and character, inequality, ornamentation, the basse continue, pitch, temperament, and "special effects" such as tremolo and harmonics. Part IV introduces four composer profiles that examine performance issues in the music of Élisabeth Jacquet de La Guerre, Marin Marais, Jean-Baptiste Barrière, and the Forquerays (father and son). The diversity of compositional styles among this group of composers, and the virtuosity they incorporated in their music, generate a broad field for discussing issues of performance practice and offer opportunities to explore controversial themes within the context of specific pieces.

The History Of The Violin

The History of the Violin PDF
Author: William Sandys
Publisher:
ISBN:
Size: 33.76 MB
Format: PDF, ePub
Category : Bowed stringed instruments
Languages : en
Pages : 390
View: 2796

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Edinburgh Companion To Shakespeare And The Arts

Edinburgh Companion to Shakespeare and the Arts PDF
Author: Mark Thornton Burnett
Publisher: Edinburgh University Press
ISBN: 0748649344
Size: 79.34 MB
Format: PDF, Docs
Category : Literary Criticism
Languages : en
Pages : 588
View: 2273

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This authoritative and innovative volume explores the place of Shakespeare in relation to a wide range of artistic practices and activities, past and present.

The Cambridge Companion To The Violin

The Cambridge Companion to the Violin PDF
Author: ROBIN AUTOR STOWELL
Publisher: Cambridge University Press
ISBN: 9780521399234
Size: 26.79 MB
Format: PDF, Docs
Category : Music
Languages : en
Pages : 303
View: 3864

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Enth. S.1 - 29: The violin and bow - origins and development / John Dilworth

A New History Of Violin Playing

A New History of Violin Playing PDF
Author: Zdenko Silvela
Publisher: Universal-Publishers
ISBN: 9781581126679
Size: 10.71 MB
Format: PDF, ePub
Category : History
Languages : en
Pages : 433
View: 6245

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An in depth study of the most superlative violin performers and teachers in history. The result of more than eleven years of deep investigation on the subject, this New History is by far the best available in the 21st century. It studies specifically the vibrato and its evolution. A study of the main violin schools of the world, with special emphasis in their evolution, and the direct conexión teacher-pupil. In the course of this history we will see how the great performers became, often, the great masters of new great violinists, who, in their turn, became the teachers of new superlative performers, and so on, in an uninterrupted chain of teacher-pupil intercommunication, the interrelation of whom is carefully studied, to higlight the evolution of the main violin playing schools. For each violinist we give a list of all the valuable instruments they owned and played, i.e. Stradivarius, Guarneri del Gesu, etc.. Such a complete and interesting information is not available in any other history. Contains a list of cassettes we have gathered for the better understanding of our players. Designed to be easily read by everyone, it has not complicated esoteric terms, but is written in plain words that everybody will understand. There is no need to be a professional musican to enjoy it. All you need to be is a music lover. But the main novelty is the sensational discovery of the real founder of the modern-vibrato violin school, with all kind of evidence, even written authentic letters that attest to it. This violinst is unknown in the present time. Contains very useful graphs of all the main schools, for an easy understanding of their evolution. Contains an encyclopaedia of all terms and names of the book that are not sufficently explained in it. Here the reader will be acquainted with the meaning of many musical terms that, although well know to musicians, are not so much known to others, who not being musicians, are, nevertheless, music lovers. But the encyclopaedia contains much more than that: men of letters, politicians, personalities, singers, pianists, composers, painters, etc. are duly explained in it. Done with loving care it sometimes surpasses its parent the book. Contains five sensational, unpublished, autographed letters by Kreisler, that will make readers tremble, plus the contentent of many other unpublished ones, by the most important musicians of the second half of the XIX century. Contains a series of very captivating collateral disquisitions on Modern abstract art; composer versus interpreter; the use of ornamentation; the easiness to reed music; Ingres and his violi; lisztomania and others. In a word, this "New history" is new because: It studies in depth the vibrato and its evolution. Links teachers to pupils, who become teacher in their turn, in a comprehensive general outlook of schools' evolution. It provides us with the list of all the valuable instruments of all our fiddlers. Contains a list of recommended cassettes, as musical examples. Easy to understand by every one, it avoids esoteric, pedantic terminology, and is written in plain laguage. It discovers, for the first time in history, the true founder of the vibrato, with all sort of evidence. With useful graphs of the main schools. Contains an encyclopaedia, which no other book of the genre has. The autographed unpublished letters of Kreisler will give the creeps to the reader. Contains a series of disquisitions on ornamentations; easiness to read music; composer versus interpreter; abstracat art; Ingres and his violin; Lisztomania and others, plus abundant, moving, anecdotes that distract and relax the attention of the reader.

A Treatise On The Fundamental Principles Of Violin Playing

A Treatise on the Fundamental Principles of Violin Playing PDF
Author: Leopold Mozart
Publisher: Oxford University Press, USA
ISBN: 9780193185135
Size: 60.94 MB
Format: PDF, Mobi
Category : Science
Languages : en
Pages : 235
View: 5176

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Known principally as the father of Wolfgang Amadeus, Leopold Mozart was a distinguished musician in his own right. An excellent violinist and composer, his greatest contribution to music was his Treatise on Fundamental Principles of Violin Playing. Published at Ausburg in 1756 it was the major work of its time on the violin and it contains much that is of considerable interest and value to musicians today: notes on performance, practice, a glossary of technical terms and specific chapters on the playing of written and improvised embellishments, the trill, and special rhythmic figures. Copious exercises illustrate each point made in the text. A Preface--revised for this edition--offers an illuminating biographical study of Leopold both as a man and as a musician.